Welcome to
M   I   L   E   S   .   B   R   O   W   N   M   A   N   .   C   O   M











CALIBAN ARTS THEATRE & CONTXT BY TRANE in conjunction with 
BROWNMAN MUSIC INC.& BROWNTASAURAS RECORDS proudly presents the 2026 Edition of:
.
 FIVE WEEKS FOR MILES
  5 Saturdays...    5 Quintets...    5 Eras of Miles Davis...
-- CELEBRATING 100 YEARS OF MILES --
        Week 1  May 02  -  "Young Miles" - The Bird Years
        Week 2  -  May 09  -  "Birth Of The Cool" - Post-Bop Miles
        Week 3  -  May 16  -  "Plugged Nickel" - The Shorter Years
        Week 4  -  May 23  -  "Bitches Brew to Tutu" - Electric Miles
        Week 5  -  May 30  -  "Doo-bop" - Had He Lived…
Produced & Directed by Brownman Ali  | Executive producers Frank Francis
.
Every Sat in May 2026
@ CONTXT, TORONTO
254 Lansdowne Ave. - main floor, Toronto, Canada | info@contxtbytrane.com
www.ContxtByTrane.com  (MAP)
----
6:00pm - doors
7:00pm - showtime each Saturday
Dinner reservations at CONTXT are encouraged -- reservations: info@contxtbytrane.com
CONTXT features some of the finest Pan/Caribbean cuisine in Toronto.  See MENU HERE.
Table seating will be given preference to those with dinner reservations on a first come first serve basis.
Ticket holders should arrive before 6pm to ensure optimal seating (band is soundchecking until 6pm)
.
EARLY BIRD - ends April 15
$30 Early Bird special
$130 - All-Shows Pass
(All 5 shows for 1 low price)
STANDARD - after April 15
$35 Advanced
$155 - All-Shows Pass
(All 5 shows for 1 low price)
$45 at the door if space on show day (unlikely)


Buy your Toronto tickets online :
Week 1  |  Week 2  |  Week 3  |  Week 4  |  Week 5
All-Shows Pass  (All 5 shows for 1 low price)

----
All SHOWS ARE FIRST COME FIRST SERVE
SO ARRIVE EARLY TO ENSURE OPTIMAL SEATING
Please email miles@brownman.com if you have questions.
----
100 years after Miles Davis was born,
in 2026 there are 5 Saturdays in May.
Every Saturday multi-award winning trumpet player
BROWNMAN will lead 5 different all-star ensembles
through 5 historic eras of jazz which Miles Davis
catalyzed & immortalized with his presence.
----
Brownman, when asked about the tribute and the musicians behind the music, states, "For those who appreciate jazz as a true art form, FIVE WEEKS FOR MILES represents a rare opportunity to understand its greatest legend's career, where he could have gone and a reminder of what he might have meant to us today.  I'm truly honoured to be fronting this sequential tribute and performing with such a monsterous cross-section of players."  Brownman has put together a spectacular all-star cast for his production featuring everyone from award-winning Canadian jazz veterans Duncan Hopkins, Ross MacIntyre & Frank Botos, to luminaries in their own generation such as Nick Maclean, Jacob Wutzke & Bennett Young to the best of the youngest new breed of jazz modernists like James Griffith, Joel Bracken & Tymish Koznarsky (all 24 years old).  This year will also feature in Week 5 acclaimed rapper N.I.Gel (from the POCKET DWELLERS), internationally acclaimed turntablist Erik Laar (Off Centre DJ School founder) teamed with the BROWNMAN ELECTRYC TRO bass & drumset phenoms Sean Dennis & Adam Mansfield -- making the Week 5 ensemble an all-star jazz-hip-hop affair. "Whatever age, whatever background, whatever colour - we're all going to be giving all of ourselves over to Miles’ music… to try and do the man and his vision justice”, Brownman concludes.

"Brownman Ali ... one of the greatest
interpreters of Miles Davis' work in Canada."
-- Graham Rockingham, Hamilton Spectator























Week 1 - Sat May 2
"Young Miles"  -  The Bird Years
At 17 years of age Miles would travel across the river from his home in East St. Louis, Illinois to St. Louis, Missouri to hear well-known jazz musicians play in clubs.  Mesmerized by their talent and style, he would listen to their all night jam sessions until Charlie "Bird" Parker arrived in St. Louis with the Billy Eckstine Band in 1944.  Bird was the creative force behind a new form of jazz later to be dubbed "bebop" and the young Miles would become fascinated with its complex melodic and harmonic structure leading Miles to follow Bird across the country until he was allowed to substitute for his trumpet player at the time - Dizzy Gillespie.  His tenure as Bird's sideman would most exemplify this hard-swinging period of his life.
--
:: Brownman Ali - trumpet (National Jazz Award winner)
:: Tymish Koznarsky - alto sax (24 year old next gen monster)
:: Scott Metcalfe - piano (Jordana Talsky)
:: Ross MacIntyre - upright bass (Matt Dusk)
:: Morgan Childs - drums (Donnybrook)
--
CLICK to buy Week 1 tickets online
or buy an All-Shows Pass  (All 5 shows for 1 low price)


Week 2 - Sat May 9
"Birth Of The Cool & Kind Of Blue"  -  Post-Bop Miles
The term "cool" came to particular prominence in the 1950s to describe a more cerebral, less impassioned way of playing jazz. It's generally supposed that these sessions were part of the inspiration for the 'cool school' of jazz which flourished, particularly on the West Coast, in the 50s.  Miles would confound the public's expectations by departing the bop world of Charlie Parker and embracing this new order of jazz as heard on "Birth Of The Cool" (Capitol Records, '49).  This 'cooler' form of expression would gradually over the next 10 years lead to the modal approaches of "Kind Of Blue" (Columbia, '59) free of fixed harmony and the now legendary collaboration with the then rising tenor saxophone icon John Coltrane.
--
:: Brownman Ali - trumpet (10x Global Music Award winner)
:: James Griffith - tenor sax (Shuffle Demons, 24 years old!)
:: Josh Smiley - piano (We Three)
:: Bennett Young - upright bass (JUNO nominee)
:: Frank Botos - drums (JUNO nominee)
--
The first set will focus on the "Birth Of The Cool" beginnings of this era... 
the second set will emphasize the "Kind Of Blue" approaches
--
CLICK to buy Week 2 tickets online
or buy an All-Shows Pass  (All 5 shows for 1 low price)


Week 3 - Sat May 16
"Plugged Nickel"  -  The Shorter Years
Two quintets in particular featuring 2 tenor saxophone giants dominated Miles' musical life almost exclusively from the mid 50's, right up until the 70's, one featuring John Coltrane and the other featuring Wayne Shorter. This period would feature an assortment of quintets and sextets all pushing the boundaries of improvisation within a simple modal framework, but the two teamings that would leave the world breathless would be those of Coltrane and Shorter.  Of those two teamings it would be the Miles-Shorter pairing that would result in some of the most explosively creative & exploratory jazz in Miles' history.  "Live at the Plugged Nickel" (Columbia / Legacy, '65) continues to be a paramount recording in the great Miles lineage and considered by many to be some of the most ground-breaking jazz in history.
--
:: Brownman Ali - trumpet (JUNO nominee)
:: Joel Bracken - tenor sax (24 year old next gen monster)
:: Nick Maclean - piano (JUNO nominee)
:: Duncan Hopkins - upright bass (JUNO nominee)
:: Jacob Wutzke - drums (JUNO winner - from Montreal)
--
CLICK to buy Week 3 tickets online
or buy an All-Shows Pass  (All 5 shows for 1 low price)


Week 4 - Sat May 23
"From Bitches Brew to Tutu"  -  Electric Miles
Legendary as a kind of line in the sand challenging jazz fans during the ascendance of electric psychedelic rock, "In a Silent Way" (Columbia Records, '69) hinted at the repetitive polyrhythms Davis would employ throughout the early '70s.  It also partook generously of electric piano and bass tonal colourings previously explored in acoustic settings, but "In a Silent Way" and the subsequent "Bitches Brew" & "Live Evil" recordings remains a clearly electric jazz record, part ambient color exploration, part rock-inflected energy & vibe, and part outright maverick creativity.  Long, breathy solos would be a feature of this era, glistening against his new group's strange admixture of musical moods.  Miles would stay on this "electric" path right in to the '80's, continually exploring these textures with newer and younger generations of musicians.
--
:: Brownman Ali - electric trumpet (Snaggle)
:: Jay Yoo - guitar (Snaggle)
:: Nick Maclean - keyboards/synth (Snaggle)
:: Sean Dennis - 6-string electric bass (Brownman Electryc Trio)
:: Aaron Seunarine - drums (Teefin' Tingz)
--
The first set tonight will focus on the "Bitches Brew" 70's era... 
the second set will emphasize the "Tutu" 80's ideologies.
--
CLICK to buy Week 4 tickets online
or buy an All-Shows Pass  (All 5 shows for 1 low price)


Week 5 - Sat May 30
"Doo-bop"  -  Had He Lived...
Towards the end of Miles' life he began an exploration of another sub-component of modern popular music - hip-hop.  The "Doo-bop" recording (Warner, '92) would feature rappers & loops and would have marked the beginning of Miles' exploration of this artform.  It is often harshly referred to by critics as his "worst" documented recording and as a "forgettable" era of his life, but it still stands strongly as a prime example of the Milesian ethic - his ability to recognize "what's next" and creatively move within and extend that artform.  Brownman states, "I believe it is extremely probable that Miles would have worked closely with the likes of Tribe Called Quest, The Roots, Rakim, Guru, Big Daddy Kane, junglists, DJs, rappers, beat-makers alike... had he lived.  Tonight will be a salute to what MIGHT have been."
--
:: Brownman - electric trumpet (Guru's Jazzmatazz / Jay-z / Missy Elliot)
:: N.I.Gel - rapper (Pocket Dwellers)
:: Erik Laar - turntables (Off Centre DJ School founder)
:: Sean Dennis - 6-string electric bass (Brownman Electryc Trio)
:: Adam Mansfield - drums (Brownman Electryc Trio)
--
CLICK to buy Week 5 tickets online
or buy an All-Shows Pass  (All 5 shows for 1 low price)

 

"Miles Davis, like water, is elemental. His musical output is foundational. Essential. So much of what he's done is in the DNA of of jazz today, and so much of what he did required the kind of risk-filled courage and bold irreverence only an artist of deep expressionistic convictions could manifest. There's a reason he occupies a uniquely sacred space in the hearts and minds of jazz evolutionists and improvisers who deliver personal narratives in each solo. And that's the reason I feel it's so deeply important work to trace the depth of his impact on jazz history's timeline with this series."
-- Brownman Ali, March 2026


 


CLICK TO SEE FULL POSTER!


Tickets:
(Saturdays in May)
Week 1  |  Week 2  |  Week 3  |  Week 4  |  Week 5
All-Shows Pass  (All 5 shows for 1 low price)

Posters:
(Print-ready PDF & JPG files)
PDF - 9.5meg   |   JPG - 9.5meg



 

About BROWNMAN  |  www.Brownman.com
Trinidadian-born, NYC-schooled & heralded as “Canada’s preeminent Jazz trumpeter” by NYC’s Village Voice, multi-award winning trumpet player BROWNMAN ALI stands at the forefront of innovation in the Canadian jazz community. A protégé to his teacher, Grammy-winning trumpet legend, Randy Brecker, he tirelessly leads 8 unique ensembles of his own including the internationally acclaimed Miles Davis influenced BROWNMAN ELECTRYC TRIO, and the award-winning CRUZAO latin-jazz quintet. In 2009 he launched his own record label: Browntasauras Records, which saw the Electryc Trio's flagship release "Juggernaut" shoot to number 3 on the iTunes USA jazz charts, and the trio's subsequent 2013 release "Gravitation" be GRAMMY Award long-listed.  The label is now a home to all his ensembles and is the 1st record lable in history to give back 100% of all it's proceeds to the Artists signed to the label.

In high demand in the studio world with over 300 CD appearances to date, Brownman delivers stylistically authentic horn playing over a wide range of styles from bebop to hiphop having recorded or toured with the likes of Guru's Jazzmatazz (replacing Donald Byrd in that primordial ensemble), Mos Def, KRS-1, Jay-Z, Quincy Jones, Paul Simon, Mingus Dynasty Big Band, Gary Bartz, John Scofield, Wayne Shorter, Chucho Valdes & far too many more to name here.

Brownman is nationally recognized as one of the most unique and provocative improvising trumpet players in the nation and is widely regarded as a vanguard for the evolution of Jazz in Canada.

A highly decorated artist, his accolades include being GRAMMY Award long-listed (with Brownman Electryc Trio), multiple JUNO Award nominations included a 2024 "jazz album of the year" nom (with the Nick Maclean Quartet), 2 National Jazz Awards (11 nominations over the years), 10 Global Music Awards, a CBC Galaxie Rising Star award, a SOCAN composers award, Montreal Jazz Fest's "Grand Prix Du Jazz" award, 7 Toronto Independent Music Award (& 16 nominations), an International Independent Music Award (presented by Herbie Hancock), a Black IMPACT Award, a Black Canadian Award, an induction into the WHO'S WHO IN BLACK CANADA, a BRAVO! channel documentary on his life, NOW magazine naming him "Toronto's Best Jazz Musician", CBC Radio Canada named him "one of the most recorded trumpet players in Canadian history", the Trinidad & Tobago Consulate General awarded him with a citation for being a "Distinguished National of Trinidad", and was once listed by Air Canada as one of the "Top 10 reasons to visit Toronto".

As evidenced by almost 800,000 visits to his website, Brownman has evolved from Canadian jazz icon to worldwide phenomenon -- catapulted by 3.5 years of touring the globe as the featured soloist with the legendary rapper Guru and his seminal jazz-hiphop band Jazzmatazz (until the great man’s tragic passing in April 2010). Driven by the desire to push and expand the boundaries of jazz composition and musicianship -- and the perceptions people have of what jazz music is and can be -- Browman is a proud torchbearer to the tradition of fearless exploration represented by immortals such as Miles Davis, Freddie Hubbard, his own mentor Randy Brecker, John Coltrane, and Wayne Shorter.

Brownman also holds a degree in physics, a minor in philosophy, writes the brass column for Canadian Musician Magazine and is an often called upon international lecturer and clinician on such topics as "advanced jazz harmony", "hip-hop and the modern jazz improviser" & "latin rhythms for the jazz improviser".
 

Awards:
2024 Brownman - International Songwriting Competition winner (ISC) Jazz Category - "Wisdom Of Aurelius"
2024 Brownman - JUNO Award nomination - “Jazz Album of the Year” (w/ Nick Maclean Quartet)
2023 Brownman - Black IMPACT Award for Entertainment - “Artist of the Year”
2023 Brownman - Global Music Award winner - 2 Silver Medals (w/ Nick Maclean Quartet)
2022 Brownman - Global Music Award winner - 2 Bronze Medals (w/ Nick Maclean Solo Piano)
2018 Brownman - USA Song Writing Competition Finalist - "Madness Of Nero" 
2018 Brownman - Global Music Award winner - 3 Gold Medals (w/ Nick Maclean Quartet) 
2017 Brownman - International Song Writing Competition Semi-finalist - "Madness Of Nero" 
2017 Brownman - International Independent Music Award nominee (w/ Snaggle) - "Best Jazz/Funk" 
2017 Brownman - Toronto Independent Music Award winner (w/ Snaggle) - "Jazz Group of the Year" 
2016 Brownman Electryc Trio - T.O. Independent Music Award nominee - "Jazz Group of the Year"
2015 Brownman Electryc Trio - Independent Music Award winner - "Jazz/Funk Album of the Year"
2015 Brownman Electryc Trio - T.O. Independent Music Award winner - "Jazz Group of the Year"
2015 Brownman - Black Canadian Award nominee - "Jazz Arist Of The Year"
2014 Brownman Electryc Trio - T.O.Independent Music Award nominee - "Jazz Group of the Year"
2012 Brownman Electryc Trio - T.O.Independent Music Award winner - "Jazz Group of the Year"
2012 Brownman named "2012 Artist To Watch" by Resonancity.com
2012 Brownman - Toronto Blues Society "Band of the Year" (with the Sugar Devils)
2011 Brownman - Trinidad High Commission citation: "Distinguished National of Trinidad in Canada"
2010 Brownman inducted into the WHO'S WHOS IN BLACK CANADA biographical directory
2010 Brownman Electryc Trio - Independent Music Award nominee - "Jazz Group of the Year"
2010 Brownman Electryc Trio - Artvoice Magazine nominee for "Jazz Act of the Year"
2009 Brownman - named "favourite touring soloist" (w/ Jazzmatazz) by London, UK's Jazz After Dark
2008 Brownman Electryc Trio - Independent Music Award nominee - "Jazz Group of the Year"
2008 Brownman Electryc Trio - National Jazz Award nominee - "Electric Jazz Group of the Year"
2007 Brownman - BRAVO! channel documentary - "The Life & Times of Brown"
2007 Brownman - NOW Magazine's "Toronto Jazz Trumpet Player of the Year"
2007 Brownman Electryc Trio - National Jazz Award winner - "Electric Jazz Group of the Year"
2007 Brownman - National Jazz Award nominee - "Musician of the Year"
2007 Brownman - National Jazz Award nominee - "Latin-jazz artist of the Year"
2007 Brownman - SOCAN National Jazz Award nominee - "Composer of the Year"
2007 Brownman - National Jazz Award nominee - "Instrumentalist of the Year" (flugelhorn)
2006 Brownman - National Jazz Award nominee - "Latin-jazz artist of the Year"
2005 Brownman - NOW Magazine's "Toronto Jazz Artist of the Year". 
2004 Brownman & CRUZAO - Independent Music Award nominee - "Jazz Group of the Year"
2003 Brownman & MARRON MATIZADO - "Best Toronto Salsa Band" (SalsaSPOT)
2002 Brownman - National Jazz Award winner - "Jazz Composer of the Year"
2002 Brownman - National Jazz Award nominee - "Jazz Trumpet Player of the Year" 
2001 Brownman & CRUZAO - winner of the Montreal Jazz Fest's "Grand Prix Du Jazz Award" 
2001 Brownman & CRUZAO - winner of the CBC Galaxie "Rising Star" Award
Brownman - 3 time nominee for "Jazz Trumpet Player of the Year" (NJA). 
Brownman & CRUZAO - 4 time nominee for "Electric Group of the Year" (NJA). 
 

Quotes:
"Awards are nice, naturally, but to dig what Brownman is doing, you’ve got to see him live. I had a chance to do just that over the summer when Brownman fronted a killer trio ... I came away with a blown mind. This guy’s got chops galore, soul to match, and a sense of phrasing that recalls many of the greats, but suggests itself to be his own."
 - Buffalo News

“Brownman... Canada’s preeminent jazz trumpeter.”
~ The Village Voice, New York City

"Brownman... one of the next great voices in the new generation of jazz improvisers..."
~ Randy Brecker, legendary multi-Grammy winning trumpeter

"Brownman is the real deal... this abundantly talented young musician was handpicked by the late MC Guru to blow the sinewy lines that made his Jazzmatazz project such a groundbreaking hybrid of jazz and hip-hop... with each appearance the buzz surrounding the bold and electric Brownman style has grown in amplitude."
- Art Voice Magazine 

"Brownman... the most versatile hornman in Canada"
~ Chicago Tribune

"... virtuostic, energized and in the spirit of Miles Davis"
~ Toronto's NOW Magazine

"Brownman... a truly gifted improviser with an original creative voice..."
~ Gary Bartz, saxophonist with Miles Davis

"Brownman... uniquely creative and fearless - like a young Miles Davis."
~ Guru, legendary hip-hop icon of Gangstarr/Jazzmatazz fame

"lively, entertaining and hip ... the music's muscular and quick, much of it thrilling..."
~ Whole Note Magazine (CD review)

“It’s hard to imagine [him] being more in the pocket, more energetic.”
~ Peter Hum, The Ottawa Citizen

“It’s incredible the energy output [he] can generate... 
~ Toronto’s NOW Magazine

"Brownman plays with fire and intensity ... executed with skill and feeling ... 
 Visceral and edgy, [he] recalls the music Miles Davis made in the early '70s."
~ Errol Nazareth, The Toronto Sun
 

FIVE WEEKS FOR MILES 2026 is proudly presented by :


w w w . B r o w n m a n . c o m
[ Main ] [ Gig Schedule ] [ Photos ] [ Contact ]

Webpage design by
MAHOGANY WEB SERVICES
Copyright © 1998 Brownman Music Inc. All rights reserved.